From the famed to start with stanza of the free-form poem, Pessoa results in a framework for what he needs by far the most between his rambling and despair: for his feelings and wonderful dreams contained in his dull overall look to generally be observed; though at the same time, he knows he isn’t worthwhile. On top of that, he thinks the planet doesn’t deserve
You will find references to historical figures like Napoleon and Christ, emphasizing the speaker's perceived grandiosity and mental pursuits.
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The speaker acknowledges their not enough goal or described id but asserts that in just them resides "todos os sonhos do mundo" (the many dreams of the whole world), suggesting that Even with their emotions of emptiness, they still have a limitless imagination and capability for dreaming.
O sujeito ainda tenta embarcar no caminho da felicidade inaugurado pela pequena, mas rapidamente volta ao seu estado inicial de delivery de tabacaria tristeza logo ao tirar o papel de prata, que constata ser de estanho.
some thing in life. This poem is easily the most famous that expresses the latter. All Campos poems can come off as manic-depressive, aggravated, and a sense of worthlessness – this poem embodies it all.
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to hear him possibly, Therefore making a paradox and forcing Pessoa to check his individual very little “environment of desires” concealed from all.
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Campos was one of the most significant of Pessoa’s heteronyms and also the just one closest to his true coronary heart and individual."
All over the track, There exists a recurring theme of failure and self-question. The speaker reflects on missed chances, the limitations of their own qualities, as well as multitude of Other people who can have very similar ambitions and aspirations.
o sintoma de cansaço e o tédio, como se tudo fosse repetitivo e o sujeito fosse incapaz de viver a vida ou de ter projetos.